Upcoming Piano Masterworks Concert


Classically Alive “Piano Masterworks Concerts”

presents Internationally renowned Concert Pianist

“Pianist Katie Mahan”

- Bach, Beethoven & Gershwin -

Wednesday, May 9th, 2018  -  6:00 pm

    The Minzer/Schreuder Residence

     8 Broadmoor Hills Drive, Colorado Springs, CO

International Concert Pianist Katie Mahan, a Colorado native, returns to Classically Alive with her program “Bach, Beethoven & Gershwin”.  Kudos to Katie who just finished recording the complete piano works of Leonard Bernstein with perhaps the most prestigious classical label, Deutsche Grammophon.

Katie Mahan opens her program with the J. S. Bach French Suite No. 4 in E Flat Major.  A delightful work that Katie has played and adored since childhood, each brief piece of this seven movement suite is based on a different dance of the Baroque.  The major work of the first half is the Beethoven Sonata in C Minor, Opus 111.  Pianists and musicians everywhere know this simply as “111”, and as one of the most monumental and sublime creations.  This was Beethoven’s final sonata, his No. 32, written in the last years of his life.  Volumes of words have been written about this work.  One may talk of the work as a journey, a transformation, and numerous other ways.  The sonata is in 2 movements.  The first movement is the earthbound movement, and shows the huge range of human emotion, its conflicts, negotiations and so on.  The second movement is an expansive set of variations, where Beethoven lets go of the earthly realm and crosses over to the spiritual domain abounding in peace and acceptance.  While there are parts that are of high exuberance, even exultation, the overriding musical tone is of calmness, tranquility.

Our second half features the music of George Gershwin.  Like Beethoven, Gershwin was a very innovative composer, and is credited with bringing the jazz style into mainstream classical music.  Katie Mahan opens with the Gershwin “Three Preludes for Piano”.  The first is fast, starting with its trumpet-like opening, segueing into foot-tapping, jazzy syncopations and glittery passagework.  The second prelude is slow and bluesy, followed by the third, a flashy, flamboyant prelude, bringing the set to a sweeping finish.  The major work that closes the program is the Gershwin “Rhapsody in Blue”.  This is one of Gershwin’s most famous compositions, and many tunes from it are very recognizable (including one of its themes used as the signature tune for one of the major American airlines).  While Gershwin wrote work for piano and orchestra, we will hear Katie Mahan’s own arrangement of “Rhapsody in Blue” for solo piano alone!! - a singularly unique rendition.  How does Katie manage to play both the piano solo parts along with the orchestral part???  I guess you will have to see it to believe it.  In fact, worldwide, audiences are clamoring for Katie Mahan’s arrangement of “Rhapsody in Blue”, and it has become something of her signature piece.  Come join us!!      



General Admission: $25.00;

Students: $10.00; Youth up to 13 free.

Not-So-Light Fare/Drinks Included

For Reservations/Info: contact Abe Minzer at:

  aminzer@comcast.net or 719-229-2239 



French Suite No. 4 in E Flat Major, BWV 815

I. Allemande

II. Courante

III. Sarabande

IV. Gavotte

V. Menuet

VI. Air

VII. Gigue


Sonata No. 32 in C Minor, Opus 111

I. Maestoso - Allegro con brio ed appassionato

II. Arietta: Adagio molto semplice cantabile


GEORGE GERSHWIN (1898 - 1937)

Three Preludes

1. Allegro ben ritmato e deciso

2. Andante con moto e poco rubato

3. Allegro ben ritmato e deciso

Rhapsody in Blue

arr. Katie Mahan for solo piano



General Admission: $25.00;

Students: $10.00; Youth up to 13 free

Not-So-Light Fare/Drinks Included

For Reservations/Info: contact Abe Minzer at:

  aminzer@comcast.net or 719-229-2239


From America to the World

Praised as “one of the most outstanding talents coming up today,” American pianist Katie Mahan is capturing the attention of audiences throughout the world for her innovative musical personality, poetic interpretations, and graceful, charming stage presence. She possesses an unquestioned technical mastery combined with a kaleidoscopic palate of tone colors, and has been recognized as “a daring and innovative performer.” A multi-faceted artist for whom music is an endless passion, Katie is at home in a broad repertoire ranging from Bach to Poulenc, and is particularly distinguished as an interpreter of the music of George Gershwin – performing her own daring, exciting solo piano arrangements to standing ovations across the globe – and Claude Debussy.

Katie’s life has always been filled with music, and at the age of four, inspired by attending a performance of Gershwin’s An American in Paris given by the famous French piano duo, Katia & Marielle Labèque, she decided that she wanted to be a concert pianist. She subsequently began piano studies with her mother, Bobette Mahan, giving her first solo recital two years later at the age of six. An American in Paris opened the door to the vast world of classical music for Katie, and her love of Gershwin quickly led her to discover the music of Debussy and Ravel, the French composers that Gershwin idolized. Although Katie’s music now takes her all over the world, she never forgets her American heritage, and the great American composer who inspired her to become a pianist. Her programs often feature her own classical arrangements of her beloved countryman’s music, alongside works of Debussy and the high pillars of the classical repertoire.

Elegance, beauty & poetry

Katie’s greatest pianistic influence came from her studies with the celebrated French pianist Pascal Rogé, with whom she studied the music of the French Impressionists. Rogé – who traces his musical heritage directly back to the great French tradition of Debussy and Ravel – was not only an important pianistic influence on Katie, but also inspired her to devote years of study to the search for understanding of French music, art and stylistic tradition. Today, Katie’s playing epitomizes the French style of elegance, beauty and poetry. Thomas Veszelits of the Münchner Abendzeitung described Katie’s Debussy thus: “Seasoned concertgoers who had already heard Arturo Benedetti Michelangeli, long acclaimed as the best interpreter of Debussy and Ravel, were impressed by Katie Mahan. With such richness of color, perfection of tone, and structural clarity, she takes her world class place alongside the Maestro.”

Since making her orchestral debut in 1999 performing Gershwin’s Concerto in F with the Breckenridge Symphony, Katie has appeared in concert throughout the USA, Europe, Canada, the Middle East, Russia and Japan. She has performed with such celebrated conductors as Jiri Belohlavek, Marin Alsop – who described her as a pianist “in the style of Clara Schumann”, Grant Cooper, and Lawrence Leighton-Smith, among others, and in such famous halls as the Konzerthaus in Berlin, the Prinzregenten Theatre in Munich, and the Smetana Hall in Prague. Katie has participated in master classes by such musicians as Lang Lang – who praised her as “a fabulous pianist…full of emotion and originality”– Simon Trpceski, and Michel Béroff, and has recently preformed with orchestras including the Prague Philharmonia, Colorado Symphony, West Virginia Symphony, Cheyenne Symphony, Colorado Springs Philharmonic, Boulder Philharmonic, Vancouver Metropolitan Orchestra, and the Wiener Residenz Orchestra, among others.

During the 2017-18 season, the American Embassy in Moscow will present Katie on a concert tour of Russia, highlighted by her Russian orchestral debut in the Great Hall of the Moscow Conservatory and a performance at the Platonov Festival in Voronezh.  Further highlights of the season will include a recital tour of Germany, debuts with the New Mexico Philharmonic and Allentown Symphony, and recitals and concerto appearances throughout the USA, Switzerland, and the Netherlands.

Katie has recorded six independently released CDs featuring diverse repertoire, along with an all-Gershwin LP on the Berliner Meister Schallplatten label’s Direct-to-disc format that was released in July 2017.  This past November Katie was also invited to record the complete solo piano works of Leonard Bernstein for international release in May 2018 by Deutsche Grammophon. The recording is part of a set of complete works in honor of the 100th anniversary of the composer’s birth.  In addition to her CD releases, Katie is committed to finding new ways to bring younger audiences to classical music through multimedia, and is in the process of producing an innovative video project on Gershwin’s Rhapsody in Blue which will accompany a new all-Gershwin CD planned for 2018.

Katie was a protégé of Howard Waltz – himself a student of the legendary French pianist Robert Casadesus – and studied with Robert Spillman at the University of Colorado College of Music where she graduated with highest honors. In addition to performing, Katie devotes her time and talent to the support of various humanitarian, medical, and educational causes.In 2014, Katie founded the Katie Mahan Foundation “Music for a Bright Tomorrow” whose objective is to promote classical music and to inspire giving through music.  Katie is a Steinway artist and was awarded the Classic Superstar 2008 award by the Berliner Salon.

“Music has been the center of my life for as long as I can remember. I believe that music is one of the most precious gifts that mankind has been given. It transcends culture, time, religion, race, and social boundaries. It tells of history, nature, people, places, and events. It incorporates every known human emotion, speaks the unspeakable, and builds a bridge from the earthly to the sublime. It inspires beauty and desire, and has a power to unite people because it speaks to the common ground of all mankind, namely the soul.”

– Katie Mahan